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Discover the Best Private Voice (music) Classes in Buenos Aires

For over a decade, our private Voice (music) tutors have been helping learners improve and fulfil their ambitions. With one-on-one lessons at home or in Buenos Aires, you’ll benefit from high-quality, personalised teaching that’s tailored to your goals, availability, and learning style.

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11 voice (music) teachers in Buenos Aires

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11 voice (music) teachers in Buenos Aires

Trusted teacher: CONFIGURATIONS LOGICIEL ET MATÉRIEL Logic Pro 10 ou 11 : Présentation, points forts, innovations et idées reçues Branchement et configuration de vos périphériques Choix du matériel en fonction de votre budget et de vos besoins Configuration et optimisation de votre Home Studio Préférences et réglages du logiciel Téléchargement et gestion des bibliothèques de sons GESTION DE PROJETS DANS LOGIC PRO Création et configuration d'un nouveau projet Gestion des modes de Logic Pro (simplifié ou expert) Préférences et réglages du logiciel et de vos projets Configuration tempo, métronome, décompte, chiffrage de mesure et tonalité Sauvegarde immédiate, dossier, paquet L'INTERFACE DE LOGIC PRO Les différentes fenêtres Les outils principaux et secondaires, les Zooms, les raccourcis claviers Les inspecteurs de tranche de console, de piste, de région, utilisation de l’aide La bibliothèque, les patchs, les modules (plug-ins), les sons Les navigateurs de Logic Pro (Apple loops, listes...) Les éditeurs MIDI, audio et Session Player La table de mixage Barre de commande et d’affichage, la barre d’outils LE MIDI DANS LOGIC PRO Piste d'instrument : Création, personnalisation de la piste Enregistrement MIDI Réglage du métronome, du décompte et de la latence Choisir un instrument, un son, un patch Les modes d'enregistrement : Live, pas à pas, en dossiers, autopunch Édition : Outils, Piano Roll, éditeur de partitions et éditeur pas à pas Quantification, redimensionnement, vélocité, légato, expression, modulation L’automation MIDI LE SESSION PLAYER DE LOGIC PRO Le Session Player; les instrumentistes virtuels de Logic Pro Drummer acoustique : Choix du batteur, modification des éléments, édition du jeu, swing et humanisation Bass et Keyboard Player : Choisir un son, articulations, mode de jeu et variations Structure ULTRABEAT Interface de l’Ultrabeat, sons et styles des 100 drum kits Beat-Making : Sequencer interne, mode full view et pattern mode Les paramètres Accent, vélocité, gate et swing Introduction au Step Sequencer associé à Ultrabeat, les régions de motifs LES APPLE LOOPS les Types de boucles : Audio, MIDI, Motifs et Session Player Organisation, filtres et recherche par instrument, styles et sonorité Navigateur, tempo, longueur, tonalités, modifications Création, sauvegarde et archivage des Apple Loops personnelles Construire un arrangement avec les Apple Loops L’ENREGISTREMENT AUDIONUMÉRIQUE Enregistrement : pré-amp, conversion AD/DA, latence, buffer et monitoring Réglages de projet : fréquence d’échantillonnage et résolution Enregistrement piste par piste et enregistrement multi-pistes La gestion des modes Autopunch et Replace Les dossiers de prises et les pistes alternatives Mode Cycle EXPLORATION DE KONTAKT Kontakt est votre passerelle vers un trésor inégalé d'instruments virtuels. Plus qu'un échantillonneur, Kontakt a alimenté deux décennies de musiques de films à succès et de succès en tête des charts, ainsi que des milliers d'instruments incroyables. L'ÉDITION AUDIO DANS LOGIC PRO Comping de prises : montage audio et export Les outils d’édition : Selecteur, redimensionnement, fade, crop... Utilisation du Flex pour le timestretch/warp Quantification audio et gestion des transitoires Flex Pitch : Correction de justesse et création d'harmonies Insérer des silences CONFIGURATION DES PISTES GLOBALES DANS LOGIC PRO Disposition : Structure de l'arrangement Marqueurs : Repères et navigation Altération : Tonalité générale et chiffrage des mesures Tempo : Changements de tempo dans les pistes globales ou l'éditeur de liste Pistes d’accords associées aux session Player Bass et Piano LA TABLE DE MIXAGE DE LOGIC PRO Les différentes tranches de console Les composants d'en-tête de pistes, mute, les écoutes solo (pistes/région) Gestion des panoramiques Organiser les Track Stack, les groupes, les VCA Gestion des bus et auxiliaires pour le routing Traitements et effets en insert et/ou en auxiliaire L'AUTOMATION Les techniques générales pour donner de la dynamique à vos mixages Enregistrement d'automations : Read, touch, latch et write Automation de piste/région et édition des automations Assignation de contrôleurs à des paramètres d'automation PARTAGE ET EXPORT D'UN PROJET Sauvegarde : dossier ou paquet, archivage, back up, Time Machine Normalisation et pré-mastering Export au bon format en fonction du support final
Music composition · Percussion · Voice (music)
(30 reviews)
Danny - Antwerp, BelgiumC$53
Trusted teacher: SONGS generally consist of chord and text lines. But where does that information come from and how do you make something out of nothing? How do you make that one great hIT or how strongly does your new song affect your love? Well, that's called "inspiration processing" and how does that work? Well, I'll tell you that in my course. If you already play the guitar or piano, you are one step ahead. Your instrument is like a trampoline that offers you more options to go further and higher. Most 'songs' are born at the craziest moments. A good songwriter his / her antennas are always open :-) and for some it is a continuous activity. During my course I teach you through all sorts of tips and tricks (including: Travel Chord Duo Method - One Four Five and minor input - Key Word Designation and Relative Chord Progressions etc.) how you can achieve strong songs. For me it is a daily activity and I have been writing all my life for others and sometimes for myself. All in all I have sold more than a million copies worldwide as an author / composer / performer. Is that little or is that a lot? I do not know. It doesn't interest me that much anymore. I want to share my knowledge about how to write a song with motivated people who want to go further than just replaying others' songs. Whether they get stuck somewhere during composing and who are not afraid to seek advice. Music is a life flirt. There are only two types of music: good and bad ... Do you have a foundation of chords, do you want to know how to make a good song .....? Just book an hour to get started. That is the scan hour. Are we lying together and is there a click? If you book and I confirm, then you also know who I am and where I hide :-) Not satisfied after the first 'lesson'? Money Back. Danny
Music composition · Voice (music)
(8 reviews)
Dirk - Ghent, BelgiumC$52
Trusted teacher: No, we don't think that being able to sing is absolutely necessary for actors. Not every actor or actress has the ambition to appear in a musical and not every series or film features singing. Still, vocal coaching is a good idea... whether you want to learn to sing or not! With your course fee you can participate in any of our courses whenever you want. This way you can not only learn to act, but also taste our courses in debate and presentation techniques (our TV course), communication, singing, improvisation, 'physical acting', lie detection, hypnosis, directing, or writing! Of course, the following applies: the more you follow 1 particular course, the faster you progress. More info Anyone who has ambitions as a singer or who wants to expand his or her skills to make it easier to land a role will soon end up taking singing lessons... but also those who have no intention of ever performing songs. can benefit greatly from vocal coaching. You often have to be on set for a long time and then it is important to use your voice properly, so that it does not get tired and you can speak as powerfully after hours of recording as before. Finally, it is very useful to be able to put different effects on your voice. Just think of the raspy character of Gollum in The Lord of the Rings, the barking explanations of Samson, the full voice of Kabouter Plop or the grunted insults exchanged in The Chronicles of Sabrina. Judiciously used voice effects can not only add color to characters, they are sometimes essential or almost automatically arise from emotional moments. So being able to use them correctly and maintain control over them without damaging your vocal cords is essential. What you learn As is the case with almost all of our courses, we teach you techniques from different approaches. For our singing lessons, these are Speech Level Singing (SLS), Estill Voice Training (EVT) and Complete Vocal Technique (CVT). Here are some things that will pass in review: • The similarities and differences between the three major singing techniques • Using support • The larynx, lips, and other organs that help control voice production • Add necessary twang • Add air or not • Different vocal modes (with CVT): neutral, curbing, overdrive and edge. • Variety of voice effects including: creaking, distortion, grunting, rattling, screaming, vibrato and ornamentation • For actors: relationship between voice color, effects and the playing of all kinds of characters • For actors: the relationship between stem kle Extras • Help with the CV • Assistance with admissions • Help in choosing the right equipment • Help with finding auditions • Syllabus with pdf of the book Complete Vocal Technique You can participate whenever you want!
Singing · Voice (music)
Trusted teacher: I believe everyone can sing, and it is one of the most extraordinary and fun things to do! Hello everyone! My name is Marion and I come from France. I have been a musician for as long as I can remember. I started when I was a kid as a trumpet player. I played in many different kinds of orchestras and had a lot of fun with this instrument, but it was nothing compare to my love for singing! This is why I decided to become a professional opera singer and I want to share my passion about singing! What do I offer? Classical singing lessons for all levels with a focus on opera, songs, oratorio and choir repertoire. I am based in Utrecht. You are welcome to come to my place, but I can also come to the students. Lessons can be taught in English or in French, but I also speak a little bit of Dutch. What will you learn? The fundamental elements of classical singing such as breathing, posture and resonances for example but also styles, pronunciation, interpretation and repertoire. An important aspect I want to approach in a singing lesson is how to help you find your own voice, both in a technical and in an interpretative sense. I can also guide you with anything solfège related like how to use and read a score or how to learn a song by heart. What is my philosophy about singing and pedagogy? I believe the best way to develop and improve a skill is when the students feel that they are in a safe place where they can dare to experiment but also have fun. This is an essential part of the process of music making and I try to bring fun and enjoyment to every lesson! I hope we will be in touch soon for a lesson. Feel free to contact me if you have any questions, I will be happy to have a chat with you! I look forward to meeting you! About me: I started my musical studies in my home country in France, at the Conservatoire de Caen and the Conservatoire de Rennes before coming to The Netherlands where I finished my voice bachelor’s degree at Het Conservatorium van Amsterdam in June 2018. Two years later I graduated from the Dutch National Opera Academy where I performed the role of Tigrane in Händel’s Radamisto, The Countess of Dunmow in Berkeley’s A Dinner Engagement, Arsace in Graun’s Cesare and Cleopatra and Fiordiligi in Mozart's Così fan tutte. Nowadays, I am a freelance soprano working in the Netherlands and in Belgium as a soloist and as a choir singer. I often participate in productions with the choir of the Dutch National Opera in Amsterdam, the Opera Ballet Vlaanderen in Antwerp or the Groot Omroepkoor in Hilversum. I was one of the laureates of the edition 2020/2021 of the Dutch Classical Talent Tour & Award, and I recently won the Handel Choir Jubilee Award.
Opera · Singing · Voice (music)
Trusted teacher: Graduated in composition and Orchestration and in the art of theater and directing, having a Master in Musical Theater at the Sorbonne University Paris and a doctorate of advanced research in the art of singing and musical interpretation , I propose singing and interpretation lessons, based on the understanding and implementation of the Belt technique (breathing, voice placement, flexibility of diaphragmal pressure, diction) and a practical application of the theatrical method from Stanislavski for a thorough understanding and discovery of the theatrical interpretation of songs. The course consists of two or three parts: 1. A warm-up with various exercises, with the aim of widening the range, developing the breathing and understanding the mechanism of the phonator device. 2. Practical work on a song with eclectic choice. 3. A part of learning music theory and reading of score, if necessary. I work with you, putting a lot of emphasis on discovering or developing your voice at your own pace. I can also propose: 2. Music interpretation course (we work on the game and the construction of a character, the emotion of the song, the nuances) 3. Theater course (Actor's Studio method) - (we work on the body expression, the scenic presence, the connection between thought and action on stage), 4. Course of musical theory and solfege (the bases of the musical theory to be able to read and follow a partition), 5. Preparation course for castings and auditions (work on psychological preparation, stress management, choice of pieces and cutting, etc.). The price quoted is per course
Voice (music)
Trusted teacher: Hello, My name is Irina and I have been working as a professional opera singer and a singing teacher for over ten years. I recently moved from London to Maastricht where I live now with my husband and our 5 year old son. I studied at the Royal Northern College of Music in Manchester and the Royal Academy of Music in London. I hold an Advanced Diploma in Opera, which is the highest qualification level (Level 8) in the UK Qualifications Framework. I performed in many prestigious venues in the UK, including Royal Albert Hall, Glyndebourne Festival Opera, Barbican, and St.Martin-in-the-Fields. I worked with Nelly Miricioiu, Jane Glover, Vladimir Jurowski, Robin Ticciati, Stéphane Denève, and many other renowned coaches and conductors. I am currently part of the Limburg Education Tour project 'Weltatem', which is a collaboration between Het Geluid Maastricht (Romy Roelofsen and Gable Roelofsen) and Kirsten Schötteldreier. Alongside my performing career, I also have been teaching singing. I am very passionate about teaching and I believe that music, whether it is listening to a concert, playing the guitar, or singing in the shower, is good for both our mental and physical well-being. It helps us to become more self-confident, find out more about how we can use our whole body as an instrument, to express and channel our feelings, and also to relax. It is never too early or late to start. Whatever your ability, aspiration, and age is, I am happy to explore with you both classical music and musical theatre. If you can learn how to use your voice properly you will be able to sing whatever and however, you want! For children, I do not only teach singing but also beginners piano and basic music theory. It is very important to introduce music to the little ones from a very early age. And there are so many fun ways to learn. We discover and become little musicians through games, songs, dancing, movement, and acting. Finally, I can offer Russian language coaching for both amateur and professional singers. Before pursuing my dream of becoming an opera singer, I graduated with a Master’s degree in Linguistics and Translation from Voronezh State University in my home city. As a result, throughout my singing and teaching career, I have also been asked to work as a Russian language coach and repertoire coach on many occasions. I normally teach at my home and also online. On some occasions, I could travel to a student's home, by special arrangement. Lessons have to be taught online, if there are government coronavirus related restrictions in place. Please do not hesitate to get in touch if you have any questions.
Voice (music) · Piano · Singing
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Only reviews of students are published and they are guaranteed by Apprentus. Rated 4.9 out of 5 based on 86 reviews.

Singing lessons in English/French/Spanish/German for all ages and levels (Cologne)
Nadège
Nadège has not only helped me fine-tune my pitch and understand my vocal range but also provided invaluable guidance on breathing techniques and using my body effectively while singing. As a beginner, the most significant transformation has been in my self-awareness about my own voice and its potential. I started last year, and we scheduled classes once a week for several months. Rapidly she became my singing sensei, is basically a vocal wizard in disguise! Her excellent ear, proficiency in playing the piano, and powerful voice made the lessons both enjoyable and instructive. The relaxed, trusting, and fun atmosphere she cultivated during our sessions fostered creativity and promoted relaxation. She values the importance of creating a safe and open space for her students to explore and develop. I also found her concepts and ways of expressing them quite interesting, you can trust you're in the hands of both a perfectionist and an empathetic teacher. She taught me to build a strong connection between my body and singing. One of the key advantages of working with her is her multilingual proficiency. Her ability to communicate in my language allowed us to practice with songs I was familiar with, while she had a deep understanding of the nuances of pronunciation and expression. I can't thank Nadège enough for turning my vocal journey into a fantastic adventure and for the incredible support and guidance she has provided during our time together! :)
Review by MARCO
Singing & Recording Lessons with a Professional Singer. (Brussels)
Juliett
I have wanted singing lessons for some time; I had them briefly in my youth and I sing and play guitar for a hobby. Juliett showed me some good tips already in the first lesson and left me some good warming up techniques that I shall practice every day before a our next lesson. Juliett is very friendly and before I knew it she had me singing high notes I did not know I was capable of reaching. The lesson was fun, I enjoyed every second and I’m looking forward to the next. She clearly has a beautiful voice herself and knows the correct techniques using classical methods to get the most out of a voice. We looked at what I wanted to sing, not what she wanted me to sing. Learning should be fun and I’m confident my singing voice will get better over time with these techniques that are used by professional singers worldwide. 100% this is a five star review; I would give a thousand stars, but the limit is five.
Review by CHRISTOPHER
Songwriting lessons with vocal and songwriting coach (Ghent)
Erika
Amazing! I had a great time getting songwriting coaching from Erika. So positive! To the point! Lots of tips and tricks for your songwriting. I had a hard time finishing my songs before. I finished off 8 songs in a few weeks. I highly recommend her. Thank you so much Erika.
Review by PIETER