I think of singing as a gradual construction, where there is no prior placement, color, or posture (body, laryngeal, oral, or projection into resonators); rather, it involves body awareness and the development of the laryngeal and abdominal muscles. The voice must learn to carry increasing air pressure, developing intensity, volume, and sonority, opening up new frequencies. This technique is acquired through vocalizations that, in addition to protecting the voice, can reverse functional pathologies. We will build the voice, we will build an instrument with a singing line for the interpretation of popular and lyrical genres.