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Discover the Best Private Art & music Classes in Ottawa

For over a decade, our private Art & music tutors have been helping learners improve and fulfil their ambitions. With one-on-one lessons at home or in Ottawa, you’ll benefit from high-quality, personalised teaching that’s tailored to your goals, availability, and learning style.

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I am an experienced, engaging and versatile tutor of English Literature, Language, Creative Writing and Poetry. I have a BA in English Literature from Aberystwyth University, an MA in Critical Theory and Creative Writing from Sussex University, and a PhD in Critical Theory and Literature, also from Sussex. I am friendly and supportive, and work with a broad range of abilities and ages. I have tutored GCSE and A-level pupils at State schools across the UK, as well as students at independent schools such as Marlborough College, Bedales, Charterhouse and Hurtwood House. For five years I was also writer in residence at Hurtwood House. Previously, I taught English Literature and Critical Theory at Sussex University, and Creative Writing and Performance Skills at Brighton University. I frequently go into schools and colleges to run one-off enrichment sessions, and have developed standalone programmes for youth centres, arts centres, theatres and creative writing retreats. Whether you are looking for some help catching up after an absence, you need ongoing support with English Literature/Language/Creative Writing, or you’re just looking for some guidance and feedback on a particular essay/writing project I will be happy to help! I can also tailor longer courses specifically to meet your needs and/or interests. I am a writer, actor and stage manager by profession, and am the author of: poetry; poetry in translation; plays; academic writings; reviews/essays; and videogames. For more information, or to ask any questions, please don't hesitate to get in touch. Meanwhile, all the best, Dr Rosy Carrick
Poetry · Writing · Literature
Writing · Essay writing · Creative writing
Are you ready to bring your acting and writing to life in ways you never imagined? Whether you’re an actor looking to deepen your performance skills or a playwright aiming to craft powerful narratives, I offer coaching that is tailored to your individual creative journey. I am Joy, a director, writer, and musician with a passion for storytelling that explores themes of Black Femininity and postcolonial imagination. Originally from Dallas, Texas, and currently based in London, my work has been featured in The Irish Times and The Sunday Times as part of their “Ones to Watch in 2024” list. As a director and playwright, I’ve received recognition from prestigious bodies including the Verity Bargate Award, Theatre503 International Playwriting Award, and the Louis Sudler Prize in the Arts from Harvard University. Having honed my craft through experiences such as being a Director SEED at Rough Magic Theatre and a writer under Enda Walsh’s mentorship for Theatre For One, I bring a wealth of expertise and artistic vision to my coaching sessions. Whether you're working on character development, stage presence, script analysis, or developing original plays, I create a space where you can grow as both an artist and a storyteller. My coaching is deeply rooted in real-world industry experience, informed by my directing work with actors, as well as my work as a writer for theatre and film. Together, we’ll explore your craft with the intention of unlocking the authentic, dynamic performance or powerful, evocative writing that is uniquely yours. Whether you're just beginning your creative journey or you're an experienced artist looking to push the boundaries of your work, I offer guidance that is personalised, nurturing, and challenging. I’ll help you sharpen your technique, discover new approaches to storytelling, and find the confidence to truly bring your artistic voice to the stage or page.
Acting · Playwriting · Filmmaking
My lessons are primarily for adults. You can be needing a coach for an audition or a full production, maybe you want to find that spark again by trying a different method, or you might want to try acting out, great! I can adjust to whatever you need. My lessons are at least an hour or more. I have a vocal/light physical warm-up that I like to do at the beginning of subsequent lessons. I remember one of my first teachers saying "An actor should be a blank canvas." And this made sense at first. So I went up on our small stage to do a monologue and it was terrible. My teacher said, "Kamil, you didn't really do anything." "Well, yeah? I am a blank canvas" As a neurodiverse person, I am overanalytical, literal, incredibly anxious and have difficulty speaking with full confidence. However, my Master's level education from Bristol Old Vic Theatre School has given me a toolkit where I can work towards placing my self-doubt and uncertainty behind 'The Work.' The Work is the hours you've spent in the text, the pencil markings in the script, the crinkled pages from taking it in and out of your backpack. It's the objective truth that you can rely on when your self-awareness doesn't want you to be the character, when you can feel an audience member looking at you, when the person behind the camera laughs at something you didn't inherently think was funny. It's your character's lifesaver. For those that may require more structure when they receive text, I can help you deconstruct that overwhelming building into its key components. Whether it's from a play you've been newly cast in, a voiceover script you can't wrap your head around, or just a simple self-tape, we can work to break down text that lets BE that blank canvas on the day, but you know what paints you've used, what strokes you can utilise, you know the feel of the paintbrush from all the canvases you've practised on. Also, it's a good way to memorise lines. And that's just a nice bonus.
Acting
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