Final - Learn the notation of music to the computer

Vous êtes impliqué dans les finances, la gestion, la planification, la gestion de projet, les ressources humaines, ou peut-être même un étudiant ambitieux désireux de perfectionner ses compétences en matière de tableau de bord professionnel. Si vous recherchez une solution qui va au-delà des limitations d'Excel et de PowerPoint, alors vous êtes au bon endroit : permettez moi de vous présenter Power BI. Avec Power BI, je vous propose bien plus qu'un simple outil. C'est une passerelle vers des rapports interactifs, une gestion efficace des données et une analyse avancée. Voici ce que je peux vous offrir : - Création et gestion experte de rapports interactifs. - Transformation et nettoyage minutieux des données pour une précision maximale. - Utilisation des puissantes formules DAX pour une analyse de données avancée. - Création de visualisations personnalisées et de tableaux de bord percutants. - Partage sécurisé et publication de vos rapports pour une collaboration sans heurts. -Automatisation des tâches répétitives avec Power BI & Power Query. Peu importe vos besoins spécifiques - qu'il s'agisse de projets professionnels, d'études ou d'aspirations personnelles - je suis là pour vous offrir une solution sur mesure. Ensemble, nous créerons un programme adapté à vos objectifs, vous guidant à chaque étape de votre parcours d'apprentissage. Que vous soyez un novice cherchant à maîtriser les bases ou un expert désireux d'approfondir vos connaissances en analyse de données, je suis là pour vous fournir l'expertise et le soutien nécessaires pour réussir.

My goal is to make people of all ages and levels learn not only playing an instrument but how can music help them in their everyday life. I am an Albanian violinist, with a Bachelor degree in Classical Music (Violin) and Musicologie in Sorbonne University. Over the years, my experiences with different youth and professional orchestras all around Europe have made me understand that music is important not only for professional musicians but also for everyone. I can teach in English or French and of course in my mother tongue Albanian.

I am a qualified jazz guitarist with a master’s degree in jazz guitar and a bachelor’s degree in jazz guitar pedagogy, with an additional specialization in classical guitar. I can teach you different genres of music from classical, jazz, pop to funk and rock. I have many experiences playing in bands which we can also discuss. I have two years of experience teaching in a private school with children to also adults.

Que vous souhaitiez élever votre jeu de Chopin à un niveau supérieur ou jouer votre morceau préféré au piano, je suis là pour vous aider à atteindre cet objectif. Forte d'une carrière professionnelle en tant que pianiste concertiste et professeur de piano, je suis titulaire de Diplôme supérieur d'enseignement avec mention très bien. En parallèle de ma carrière de pianiste solo professionnel, j'apprécie également la collaboration avec d'autres musiciens. Je suis titulaire de diplôme supérieur de musique de chambre et j’ai obtenu le DEM en accompagnement au piano au CRR d'Aubervilliers où j’ai acquis les compétences pour transpositions, harmonie, réduction d’orchestre et de choeur. Avec ma formation en musicologie (Licence en musicologie), je suis en mesure de donner des cours particuliers en formation musicale, en harmonie et en histoire de la musique. Mon expérience couvre une vaste gamme d'âges et de parcours, allant des élèves de l'école primaire aux professionnels en reconversion, tels que des médecins à la retraite. Alors, qu'attendez-vous ? Réservez dès maintenant votre premier cours, et entamez votre voyage vers l'excellence pianistique. Whether you want to take your Chopin to the next level or play your favorite song on the piano, I can help you achieve your goal. Embarking on a professional journey as both a concert pianist and piano instructor, I successfully obtained the "Diplôme supérieur d'enseignement" competition at the Ecole Normale de Musique de Paris Alfred Cortot with the distinction of "mention très bien." Concurrently with my solo pianist career, I derive pleasure from collaborating with fellow musicians. I obtained the "Diplôme Supérieur de musique de chambre" of école normale de musique de Paris and the DEM of piano accompagnement in CRR d’Aubervilliers where I acquired the skills of transposition, harmony, orchestra and choir reduction. Utilizing my academic background in musicology (Bachelor's degree in musicology), I am skilled at offering private instruction in music theory, harmony, and music history. My extensive experience includes a wide range of students, from elementary school children to retired medical professionals. What are you waiting for? Book your first class now and kick-start your journey to mastering the piano. ________ - Merci à Mes Étudiants - Je tiens à commencer par exprimer ma sincère gratitude à tous mes étudiants qui ont pris le temps de me laisser des avis réfléchis et positifs. Vos mots gentils et vos retours détaillés comptent énormément pour moi et m’encouragent à continuer de partager ma passion pour la musique. - À propos du Commentaire Négatif - Concernant le seul avis négatif : l’étudiant en question a manqué son premier cours en raison d’une grasse matinée. Malgré la politique de la plateforme stipulant qu’aucun remboursement n’est accordé en cas d’absence sans préavis, j’ai proposé de fournir un cours de remplacement gratuit dès ma première disponibilité après la période chargée des fêtes de fin d’année. Malheureusement, l’étudiant a refusé la date que j’avais proposée et a suggéré des jours qui ne faisaient pas partie de mon emploi du temps. J’ai dû suspendre la communication en raison d’autres engagements. À la date initialement proposée — qui n’avait pas été confirmée —, l’étudiant s’attendait à un cours et a par la suite laissé un avis négatif. Par souci de bienveillance, j’ai même remboursé une partie des frais (à l’exception des frais d’inscription non remboursables),. - Mon Engagement et Mes Attentes - Je suis engagée à offrir des cours de haute qualité à un tarif accessible, soutenus par mon expérience professionnelle et l’accès à un piano Yamaha YUS5 neuf. Mon objectif est de rendre la musique accessible à ceux qui l’aiment. En retour, je demande aux étudiants de respecter mon temps et mes efforts en respectant les horaires convenus et les pratiques de communication. Merci pour votre compréhension et votre soutien continu. Ensemble, nous pouvons créer un environnement d’apprentissage et de croissance positif et respectueux. _________ - Thank You to My Students - I want to start by expressing my heartfelt gratitude to all my students who have taken the time to leave me thoughtful and positive reviews. Your kind words and detailed feedback truly mean a lot to me and motivate me to continue sharing my passion for music. - Addressing the Negative Comment - Regarding the one negative review: the student in question missed their first class due to oversleeping. Despite the platform's policy of no refunds for no-shows without notice, I offered to provide a free replacement class at my earliest availability following the busy holiday season. Unfortunately, the student declined my proposed date and instead suggested days outside my teaching schedule. After several exchanges, I had to pause communication due to other commitments. On the originally proposed date—which had not been confirmed—the student expected a class and subsequently left a negative review. To show goodwill, I even refunded part of the fees (excluding the non-refundable registration fee). - My Commitment and Expectations - I am dedicated to offering high-quality lessons at an approachable rate, supported by my professional background and access to a brand-new Yamaha YUS5 piano. My goal is to make music accessible to those who love it. In return, I ask that students respect my time and effort by adhering to agreed-upon schedules and communication practices. Thank you for your understanding and continued support. Together, we can create a positive and respectful environment for learning and growth.

Hello, I'm doing a PhD in AI and ML using Python and am an Oracle-certified trainer with 350+ reviews and ratings [with proof attached], I will be able to teach you Python better than any of my competition. Why choose me? 1. 300 + reviews and ratings 2. Certified tutor 3. More than 5 years of teaching experience 4. Worked as a Software engineer in companies like Virtusa Corp and DIGIDEZ DIGITAL SYSTEMS 5. Hold B.tech and M.tech in Computer Science Featured Review : Been trying to learn Java on my own for about 1 year and I couldn't get a grasp on it. Aniket make learning Java a fun experience and challenges you to think for yourself to reinforce the concepts you've learned. I am truly excited for our meetings and he makes time go by so fast that I'm upset when they end. Great teacher and he is genuinely passionate about your success. If I could give him more stars I would!!! Thanks Aniket

Maarten will teach you about general music theory and analysis from beginner to advanced level. He is experienced to teach highest level classical musicians and Jazz musicians too. He can work with you about the harmony and analysis of compositions on practical ways affected to your own performance as well. so not only on the desk, but on the instrument in order to improve your knowledge and performance level. He has many knowledge of all kinds of music analysis and compositions, the lessons can be mix with online and class room.

[Please note that lessons are only available for serious students looking to be a professional musician or artist] Katherine has been vocally trained in contemporary for 25 years and studied classical voice for three years. After developing Muscular Tension Dysphonia in 2010 and not singing for almost two years, she overcame this vocal disorder after working with some of the best voice and voice rehabilitation specialists in the UK. This experience further motivated her interest in teaching the following to her students in contemporary voice* using knowledge and training gained by renowned vocal coaches, ENTs and voice rehabilitation specialists: - Vocal technique, health and hygiene - Guidance in voice rehabilitation with students experiencing or recovering from vocal issues - Managing Performance Anxiety - Breath control - Microphone technique and stage performance - Basic music theory - Artist development and mentoring Katherine has over 15 years experience in one-to-one lessons, teaching students aged 4 years old to 50 years old of all levels and has developed programs for small choirs. Please be advised students under the age of 9 years old will be offered 30 min lessons only and will comprise of a combination of music and singing-related games and exercises. Also offering: - Live performance workshops *Contemporary music styles like R&B, soul, neosoul, pop, country. She does not teach classical or jazz. **Please note, 30 min lessons are only for students aged 10 and under. Adult students will be required to book one-hour lesson times to ensure they get the most out of their lessons and therefore their money's worth. Requests for 30 min lessons from adults will be declined and asked to book a one hour lesson.

Hello, I like to transmit and exchange with my students. Seeing them understand and progressing is essential and very rewarding for me. My lessons are based on an academic method focused on learning music theory and instrumental practice. I bring a specific method adapted to the profiles of my students (age, availability, tastes, motivation, "anti-music theory"). I try to make my students independent, help them develop their listening skills, their sense of rhythm and transmit to them an efficient working method. All styles, all levels: pop, rock, funk, jazz, blues, soul, reggae, latin

Beginner level : Expected duration: approximately 12 and 18 months / 1 hour of lessons per week 1. 3 or 4 music theory sessions containing instrument structure and Western notation (with a brief historical explanation of why we use this notation system today). 2. Start with the first and second music conservatory books which emphasize precise execution of notes and rhythm. Concrete listening exercises: Before explaining a musical concept, students are encouraged to listen to suggested examples of a specific form, genre, or style and express their analysis in class. 3. Teaching correct posture and how to focus on body and breathing during play. 4. Beginning of improvisation exercises based on the rhythms of Persian poems: At this level, we do not use Western notation and we rely solely on the repetitive rhythms of the poems and melodic creativity. Intermediate level : Expected duration: approximately 2 and 3 years / 1 or 2 hours of lessons per week 1. Teaching studies and technical pieces with emphasis on the use of Western notation and paying attention to verbal points that are not included in the notation (At this level, students should not have any difficulty reading notes). 2. The beginning of teaching Radif (practical repertoire of Persian music) without using notation and entirely orally. 3. Continue the listening exercises to understand the difference between modes and concepts related to Iranian music. 4. Memorize the pieces, perform them based on memory and precision of sentence logic and modal precision. 5. Improvisation exercises based on Iranian music modes. The student is asked to make musical sentences after having learned each mode (according to the logic that he has heard and learned in the pieces). 6. The first concert and professional recording experiences of the pieces taught with the advice of the teacher. Higher level : Expected duration: approximately 2 and 3 years / 1 or 2 hours of lessons per week 1. Achieve a comprehensive understanding of the modal system in Persian music through the interpretation and analysis of the Iranian musical repertoire. 2. Beginning of composition exercises based on the rhythmic and modal system of Iranian music. 3. Teaching the principle and methods of modulation in improvisation in three stages: • Listen, memorize and accurately perform the improvisations of the ancient masters. • Make a collage of phrases from the master's recorded improvisations. • Create pieces based on the common logic of improvisation in Iranian music. Additional explanation: - This planning is a completely personal method and its auditory and oral aspects are different from the academic method. - As is evident, my teaching style is based on the knowledge and ability to use European music theory while preserving the traditional and historical characteristics of Iranian music. I have two reasons for using and emphasizing learning Western notation: first, it has become the common way to write and record our music today. Substituting any other method will cause problems for the student. Second, using Western notation speeds up the training process (especially at the elementary level). From experience, the training time of those who have only been trained in the traditional and oral way is longer, and in addition, in the oral way there is no analysis in the way to train. - Traditional and oral teachings are anchored in the concepts of Iranian mysticism. The use and reference to Persian poems, the discussion of ethics, appreciation and reliability of the artist are all positive points of this method, which I also try to address in my teaching.

🎸 Unlock Your Musical Potential with Personalized Guitar Mastery Course! 🎶 After over a decade of immersive experience in composing, recording, and mastering the guitar as a self-taught musician, I am thrilled to share my knowledge with you! This course is designed to be incredibly versatile, tailoring the material to meet your unique needs and musical aspirations. Course Highlights: 🔥 Personalized Learning: Benefit from a course adapted to your individual goals and musical interests, drawing from my extensive experience in composing and performing. 🎓 Certified Expertise: Rest assured, your instructor holds certificates in Music Theory and Guitar Performance Techniques from the prestigious University of Edinburgh and Berklee College of Music. 💬 Language of Instruction: The course is conducted in English, offering a comfortable and inclusive learning environment. What to Expect: Guitar Techniques Mastery: Explore advanced guitar performance techniques that I've acquired over years of playing and recording, unleashing your full potential on the instrument. Songwriting Skills: Learn the art of composing your own songs, unlocking your creativity and developing a unique musical voice. Guitar Pro Mastery: Discover the ins and outs of Guitar Pro, a powerful tool for composing, tablature creation, and musical notation. This allows us to get to know each other better, understand your ambitions, and adjust the course material to suit your specific needs.

As a freelance oboist with over 10 years of teaching experience, both privately and in schools, I offer comprehensive oboe lessons. My teaching covers a diverse range of students, spanning from children to adults (including someone as mature as 80 – proving it's never too late to learn!). My students range from beginners to those post-grade 8. I am known for my friendly and enthusiastic teaching approach. My main goal is to ensure that all my pupils take joy in making music while working towards their individual goals, whether that involves pure enjoyment or preparation for music examinations. Additionally, I am skilled in teaching music theory, a valuable asset for enhancing musicianship and a necessity for students aiming to advance through higher music grades. With a Bachelor of Music and a Masters degree from esteemed London music colleges – the Royal College and Royal Academy of Music – my qualifications are rooted in excellence. Since then, I have embraced a performing career as a soloist and have collaborated with orchestras and ensembles worldwide.

Hello! I offer courses in composition, Mao and other disciplines (harmony, orchestration, musical theory, etc.) for all levels, and using a method similar to that of the conservatory. Always oriented towards musical practice, together we will refine the strategy that suits you best. What I like most about individual lessons is adapting the lesson to the needs of the student, like the teachers who left their mark on my training.

Electronic music, perhaps with its interdisciplinary nature, is a vast field to get into, a world of creativity and art, science and technology, and philosophy and thoughts. The course of electroacoustic composition (in other words computer-assisted composition) follows the interdisciplinary fundamentals of the topic. During these courses, we will speak and work on electronic music aesthetics and musical discourses, form and structure, and indeed the utils of using software such as Ableton, Max, Supercollider, VCV RACK, reaper et cetera, to be able to materialize the musical idea with electronic tools. Students can create and compose electronic music, sound designs, multimedia art (music and ... ), installations and performances, etc during and after the courses.

The watchword is pleasure! We will take the time to find our way/voice. From body preparation to singing, vocalizations and breathing exercises, you will progress quickly. We can also see points of music theory and harmony in a little more depth if desired. The course of an hour of lessons: - 15 mins of body and vocal warm-up - 15 mins of rhythmic music theory/melodic music theory/harmony (if desired) - 30 mins of singing on backing track or I can accompany you on piano or guitar. Of course this is only a typical example. Above all, I will listen to you and we will work according to your desires and needs. My area of expertise is more current music (Pop/rock/Soul/French variety) but all styles are welcome! I hope to see you soon ! :)

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