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Music composition lessons in Canada

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57 music composition teachers in Canada

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57 music composition teachers in Canada

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Trusted teacher: I offer lessons in guitar/bass, piano/keyboard (classical/experimental/pop/jazz), composition/songwriting, production/recording (DAWs, mixing, editing etc). No matter what level we're on, as musicians and artists we're all part of a wonderful and strange ongoing human project, and I believe that it's my duty to share the knowledge and skills that I've accumulated throughout the course of my life and career. Over the years, my work has branched out in many different stylistic directions but I am firmly rooted in avant-garde/classical music. I hold two degrees in composition: a Master of Music '11 from the Yale School of Music where I also taught undergraduate lessons in composition; and a BA in Music Composition from the Royal College of Music in Stockholm, Sweden ('09). I've written large scale works for orchestra, chamber pieces, solo music for a variety of instruments, works with multichannel electronics, and works for theater and dance. For those interested, my recorded work is easily accessible online on a variety of labels and my scores are available from Schott Music New York. As a pianist, I began formal training at age 6 and worked through much of the classical repertoire before deciding to focus fulltime on composition. I am also an accomplished studio musician, improviser (jazz/free/experimental), and a member of several groups/ensembles. A firm believer in the use of intuition as a primary tool in music making of all kinds, I would like our lessons to be shaped according to your needs and interests. No matter what level you are on, my goal will always be to offer you exactly what you need at each given step. I treat each student as a unique collaborative effort. Apart from technical and aesthetic approaches, it is usually very difficult and takes a long time to find one's 'voice' as a performer, writer or producer; this is inevitable except in rare cases, and I will endeavour to teach you to trust in your own abilities, overcome insecurities and doubts, and connect your artistic practice with a more unified mindset that goes beyond imagined technical and stylistic limitations and aesthetic policing. The main point is to eradicate unnecessary obstacles to your creativity and learn to trust your intuition and choices.
Music composition · Music theory lessons · Piano
Trusted teacher: Who is this workshop for? For anyone curious about sound, all music, music in general, who wants to manufacture, build, examine ... (from 12 or 13 years old). Do you need to know music theory? No. But familiarity with music of various styles can be of great help. DJ? "Electro" music? No ! We will not learn here to be a DJ or to compose “dance-music”, “electro” music in the commonly understood sense, not even songs. Do you need to know the computer? It is better if it is, but learning can be done at the same time as musical research. Is this course a software learning course? No. I give the basics (only on Logic Pro X or Garageband) to be able to compose but I do not teach the deep use of software. Is it necessary to have a computer? Yes ! A "workshop" rather than a class? The course takes the form of a practical workshop, listening sessions, criticism of works. By computer? Everything happens on a computer once sound elements of all kinds have been recorded. Editing, transformation, mixing on software designed for this. No software required. The proposed route can be adapted to any multitrack sequencing software. The computer is only a tool, it is the composer who makes the music. Practically what do we do? The composer works “from the sounds” that he has most often recorded himself. He chooses them, assembles them, deforms them, mixes them according to his project, at will. of his intuition, his ideas and desires, gradually builds a music. For those who wish and need it, exercises are offered which allow to approach at the same time techniques of realization and precise musical proposals. Composition / Invention It is not a question of declaring themselves all composers, but of affirming that we can all ask ourselves composers' questions, with both seriousness and imagination. To confront the game of a free invention. What musical orientation? What style ? This is a “musical research” process: seek to invent a music beyond traditional values - note pitches, regular pulsations, instrumental timbres - without forbidding all that. A “music of sounds”, in the broadest possible sense, a “music of all sounds “as opposed to what one could obviously call too simplified“ a music of notes ”. This choice, which apparently seems to shake up musical uses, is nevertheless part of a tradition of more than a century and rich in a repertoire that is too little known and which has had various names: - Electroacoustic music - Concrete music - Acousmatic music - Contemporary music Finally, we each have a precious tool to never forget: our ear, and a fascinating and rewarding job to lead, questioning about oneself.
Music composition · Computer generated music · Sound (music)
Avec 7 ans d’expérience derrière moi et une quarantaine d’élèves ,je pense que meilleure méthode de cours se base sur une approche transversale, liant dès le début l’apprentissage corporel de l’instrument à l'intention musicale de l'élève. Comment exprimer telle ou telle émotion sur le piano avec notre corps ? Que l’on apprenne le piano simplement pour le plaisir ou vers une professionnalisation, cette approche s’adapte au désirs de tous. Adultes et enfants de tout âge sont les bienvenus, le premier cours étant toujours offert, chez moi sur un piano à Queue. En dehors du Piano Classique et du solfège, on peut aussi aborder le Piano Jazz, l’improvisation, la composition et les traditions musicales Indiennes et Indonésiennes. Avec les enfants, cela prend la forme d'une didactique adaptée à l'âge, ludique, avec laquelle je cerne un ou deux objectifs spécifiques à accomplir qui permettent de communiquer des notions complexes d’une manière simple. Apprendre par l’expérience du corps permet d’aborder toutes ces choses d’une manière dirigée et facilement accessible La compréhension du rapport entre son et corps, c’est surtout comprendre que par l’apprentissage on unifie des éléments séparés. Les signes et les idées musicales qui se trouvent sur la partition, les mouvements respectifs de nos mains, les sons produits ensuite et entendus par nos oreilles forment un tout. C’est ce tout qui s’exprime comme musique, c'est-à-dire quelque chose de plus que ces éléments pris séparément. Comprendre ce rapport, c’est sentir plus nettement comment la musique nous touche et comment l’on peut toucher les autres avec la musique.
Piano · Music composition · Jazz music
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Only reviews of students are published and they are guaranteed by Apprentus. Rated 4.9 out of 5 based on 107 reviews.

Electric & Acoustic Guitar Lessons ♫ Let's bang out! (Friedrichsfelde)
Ryo
My Guitar classes with Ryo has been great so far. He tailors them as per your skill level and interests. My classes have a good mix of warm up exercises, learning new techniques and playing songs. He is patient and cheerful during the lessons. I highly recommend Ryo if you are looking to learn Guitar in a fun and engaging way.
Review by AJITESH
Develop your musical talent: Piano, Musical Language and Theater classes for all ages and levels. More than a Decade Teaching. (Barcelona)
Anita
I've had so far two lessons with Anita and I am grateful that have found her. The class is usually based on theory which follows a course towards my goal but also learning to play the piece I've wanted for months.
Review by MIHAELA
Learn Piano and Improvisation and practice other languages :) (A Coruña)
Gema
My experience right now with Gema is that she's an amazing teacher and she is good at spotting mistakes on your keys and helps me to play with confidence to get ready to pass my exam.
Review by JACOB