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Private lessonsMusic CompositionMusic Composition in New Cairo

1 music composition teacher in New Cairo

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1 music composition teacher in New Cairo

(4 reviews)
Gabriela - Guadalajara, MexicoC$43
C$43MUSIC 🎼 VIOLIN 🎻 VIOLA • PIANO 🎹 • VOICE 🎤🎧 LEARN HOW TO PLAY AND MAKE MUSIC! I CAN TEACH IN 6 LANGUAGES!
Trusted teacher: My classes are held online around the world. I can teach in English, Spanish, Russian, Italian, French, German or Portuguese. I am a graduate of the Moscow Conservatory in Russia where I lived, studied music and arts and worked as a ballet teacher, languages and music teacher. I have professional equipment such as cameras in different positions and degrees since it is essential that the student has different optics of both the piano and my body posture. We start with music theory and practice at the same time choosing pieces of preference for the student. The real objective of the class goes beyond the music per se ... but rather a spiritual-intellectual integration which results in genius through music! Music is the hook to touch the soul. Russian piano education focuses on fewer, more challenging pieces. The music will be learnt from memory and much of the learning is done through teacher demonstration. - Solfeggio First of all, what is solfeggio? Also known as 'solfège', solfeggio (sometimes called sight-singing) is the ability to read and sing music at sight. You may have heard this phrase before: 'Do Re Mi Fa So La Ti Do'. This is a method used to help musicians sight-sing. The Russian piano teaching method is often complemented by the use of solfeggio, and it is commonplace that when Russian teachers do use it, they use the fixed do, meaning C is always do, regardless of the key. With the British piano teaching method, solfeggio is less commonly used, and when it is, moveable do (the tonic is do) is used. As you can probably decipher, this makes the Russian method of using solfeggio much more challenging. - Attitude Without wanting to cast a generalisation across Russia, their learning method has been known for strictness, discipline and controversy. It leaves many wondering: Is the Russian way of learning the piano more demanding? Frequently, Russian piano teachers I work with joke about the harshness of teachers in their youth. The method is trying to achieve excellence in piano playing, but encouragement and discipline are used to varying degrees. I mix my adventuress, feisty, serious, exotic, disciplined and wild personality and the outcome are my classes!
Violin · Music composition · Sound (music)
(6 reviews)
Leon - Cambridge, United KingdomC$77
C$77Professional Piano / Music Theory / Composition / DJ Lessons in Cambridge
Trusted teacher: I am a friendly, patient, and professional Piano, Composition, Production, Music Theory, and DJ teacher from London, based in Cambridge. I have 12 years of teaching experience, and have taught pupils from 5 years old to 65! I began composition lessons with Darren Bloom at Forest School, Snaresbrook, and was awarded a scholarship to the Royal Birmingham Conservatoire, followed by a place at the Conservatorium van Amsterdam, where I completed an MMus in Composition in 2019. My previous tutors include Richard Ayres, Wim Henderickx, Richard Causton, Edwin Roxburgh, Ed Bennett, Joe Cutler, and Howard Skempton. I have also taken master classes from Rebecca Saunders, Mario Garuti, Anna Korsun, and Colin Matthews. I was the winner of the Orchestre Nouvelle Generation Composers Competition 2016/17, and the Birmingham Conservatoire Orchestral Composition Prize 2015. Distinguished ensembles and performers who have performed my works include the DoelenKwartet, HERMESensemble, Syzygy Quartet, Ossian Ensemble, Noszferatu, Decibel, David Le Page, Patrick Johnson, Sara Minelli, Rowland Sutherland, and Colin Alexander. My compositions have been featured at world-famous festivals including the String Quartet Biennale Amsterdam and TROMP Percussion Festival and at venues such as Kings Place and Muziekgebouw aan 't IJ, as well as various venues throughout Europe, North America, and South Africa. In addition to classical composition, I also write advert soundtracks on a regular basis for clients such as GHD, Lanvin, Japanese Vogue, Mariana Jungman (London Fashion Week), Cent Magazine, and Face Lace. I have completed a number of scores for award-winning short films 'Wanted' by Graeme Montgomery, and 'Genesis' by Beatrix Haxby. I am also a bassoonist, having studied with Adam Mackenzie (New London Chamber Ensemble) and John Orford (London Sinfonietta). I was a member of Essex Youth Orchestra for four years, and have written a new repertoire for the instrument including a number of Concert Studies and also a Bassoon Quartet. I am also an active DJ under the alias 'Delian Sound', playing eclectic sets from Garage to Jungle. I studied with international artists including Kasey Riot and Noah Priddle at the London Sound Academy and have performed in venues such as SET, Dalston alongside artists including Chiminyo and D’vo. Tutoring Experience: From 2009-2011 I taught Drumkit to students aged between 10-15 at a local Rock & Pop School. I've also been involved in a number of music courses for children between 2009-2014 as a Supervisor / Sound Technician. In 2016 I began giving private lessons and built up a group of over 20 pupils ranging from 5-year-olds to adults through positive word-of-mouth. Between April-July 2017, I was contacted by a local primary school to give small group lessons in Piano and Guitar. Alongside my studies in Amsterdam, I continued to teach a similarly wide age range of pupils. Since 2019 I have taught Composition & Musicianship at the Saffron Walden Centre for Young Musicians. I have an Enhanced DBS check, available upon request. Tutoring Approach: My philosophy in Music Tuition is to improve the student's technique through exercises and pieces which they enjoy. I also provide general music education as I believe in a holistic approach, and increasing their passion for music which will increase their motivation for practice and improvement.
Piano · Music theory lessons · Music composition
(1 review)
Stéphane-Miguel - Montpellier, FranceC$79
C$79Cours de MAO et de composition sur LogicPro 10 & 11
Trusted teacher: CONFIGURATIONS LOGICIEL ET MATÉRIEL Logic Pro 10 ou 11 : Présentation, points forts, innovations et idées reçues Branchement et configuration de vos périphériques Choix du matériel en fonction de votre budget et de vos besoins Configuration et optimisation de votre Home Studio Préférences et réglages du logiciel Téléchargement et gestion des bibliothèques de sons GESTION DE PROJETS DANS LOGIC PRO Création et configuration d'un nouveau projet Gestion des modes de Logic Pro (simplifié ou expert) Préférences et réglages du logiciel et de vos projets Configuration tempo, métronome, décompte, chiffrage de mesure et tonalité Sauvegarde immédiate, dossier, paquet L'INTERFACE DE LOGIC PRO Les différentes fenêtres Les outils principaux et secondaires, les Zooms, les raccourcis claviers Les inspecteurs de tranche de console, de piste, de région, utilisation de l’aide La bibliothèque, les patchs, les modules (plug-ins), les sons Les navigateurs de Logic Pro (Apple loops, listes...) Les éditeurs MIDI, audio et Session Player La table de mixage Barre de commande et d’affichage, la barre d’outils LE MIDI DANS LOGIC PRO Piste d'instrument : Création, personnalisation de la piste Enregistrement MIDI Réglage du métronome, du décompte et de la latence Choisir un instrument, un son, un patch Les modes d'enregistrement : Live, pas à pas, en dossiers, autopunch Édition : Outils, Piano Roll, éditeur de partitions et éditeur pas à pas Quantification, redimensionnement, vélocité, légato, expression, modulation L’automation MIDI LE SESSION PLAYER DE LOGIC PRO Le Session Player; les instrumentistes virtuels de Logic Pro Drummer acoustique : Choix du batteur, modification des éléments, édition du jeu, swing et humanisation Bass et Keyboard Player : Choisir un son, articulations, mode de jeu et variations Structure ULTRABEAT Interface de l’Ultrabeat, sons et styles des 100 drum kits Beat-Making : Sequencer interne, mode full view et pattern mode Les paramètres Accent, vélocité, gate et swing Introduction au Step Sequencer associé à Ultrabeat, les régions de motifs LES APPLE LOOPS les Types de boucles : Audio, MIDI, Motifs et Session Player Organisation, filtres et recherche par instrument, styles et sonorité Navigateur, tempo, longueur, tonalités, modifications Création, sauvegarde et archivage des Apple Loops personnelles Construire un arrangement avec les Apple Loops L’ENREGISTREMENT AUDIONUMÉRIQUE Enregistrement : pré-amp, conversion AD/DA, latence, buffer et monitoring Réglages de projet : fréquence d’échantillonnage et résolution Enregistrement piste par piste et enregistrement multi-pistes La gestion des modes Autopunch et Replace Les dossiers de prises et les pistes alternatives Mode Cycle EXPLORATION DE KONTAKT Kontakt est votre passerelle vers un trésor inégalé d'instruments virtuels. Plus qu'un échantillonneur, Kontakt a alimenté deux décennies de musiques de films à succès et de succès en tête des charts, ainsi que des milliers d'instruments incroyables. L'ÉDITION AUDIO DANS LOGIC PRO Comping de prises : montage audio et export Les outils d’édition : Selecteur, redimensionnement, fade, crop... Utilisation du Flex pour le timestretch/warp Quantification audio et gestion des transitoires Flex Pitch : Correction de justesse et création d'harmonies Insérer des silences CONFIGURATION DES PISTES GLOBALES DANS LOGIC PRO Disposition : Structure de l'arrangement Marqueurs : Repères et navigation Altération : Tonalité générale et chiffrage des mesures Tempo : Changements de tempo dans les pistes globales ou l'éditeur de liste Pistes d’accords associées aux session Player Bass et Piano LA TABLE DE MIXAGE DE LOGIC PRO Les différentes tranches de console Les composants d'en-tête de pistes, mute, les écoutes solo (pistes/région) Gestion des panoramiques Organiser les Track Stack, les groupes, les VCA Gestion des bus et auxiliaires pour le routing Traitements et effets en insert et/ou en auxiliaire L'AUTOMATION Les techniques générales pour donner de la dynamique à vos mixages Enregistrement d'automations : Read, touch, latch et write Automation de piste/région et édition des automations Assignation de contrôleurs à des paramètres d'automation PARTAGE ET EXPORT D'UN PROJET Sauvegarde : dossier ou paquet, archivage, back up, Time Machine Normalisation et pré-mastering Export au bon format en fonction du support final
Music composition · Percussion · Voice (music)
(1 review)
Yannis - Rotterdam, NetherlandsC$58
C$58Experimental electronic music composition / Free improvisation (theory & practice)
Trusted teacher: Experimentation is an inherent characteristic of electronic music. Nowadays, composing music using technology creates endless creative possibilities that demand the musician/composer to adapt to numerous technical and artistic challenges. Do you like experimenting with sound and making music that does not clearly belong to a particular genre or style? Interested in bringing a fresh perspective and out-of-the-box thinking to your music production? Are you just starting out in electronic music composition and wondering how to develop your own style? This course is just what you need. In this class, you will learn: - how to transform sound using analogue and digital techniques. - how to create sound structures and organise them in a DAW enviroment to compose a piece of music. - how to record, edit and mix sounds using both conventional and experimental techniques. - how to use improvisation in both the context of live performance and composition. - about the theory and practice of free improvisation. - about the history and origins of electronic music and how it affected the music we listen today. - how to document and communicate procedures related to your artistic practice. - how to create an artistic portfolio. Aspiring musicians with a background in any genre can take advantage of this course. A formal education in music or experience with electronic music composition are not required to follow. However, you should be unafraid of experimenting with sound and music technology! Each class is customized to meet the needs of the individual student in an innovative and flexible way! The course can also serve as a preparation for applying to several Dutch educational programmes related to electronic music composition (Institute of Sonology, HKU, ArtEZ, etc.). The class is focused on small assignments that help the student develop a sense of orientation and set goals. Recording, editing, and mixing will be done via the DAW "Reaper," but we can switch to your preferred software at any time. We will use the first lesson to discuss your background, interests, and motivations in order to develop a course structure that is tailored to your needs.
Music composition · Computer generated music · Sound (music)
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Our students from New Cairo evaluate their Music Composition teacher.

To ensure the quality of our Music Composition teachers, we ask our students from New Cairo to review them.
Only reviews of students are published and they are guaranteed by Apprentus. Rated 5.0 out of 5 based on 29 reviews.

Experimental electronic music composition / Free improvisation (theory & practice) (Rotterdam)
Yannis
We just have started to work with Yannis, but I am really happy about how we progress and feel inspired and looking forward to future lectures. Yannis teaches me to develop a vision on how to approach working with sound, while recording, processing and using it in electronic composition. I would say he is opening my mind in a way toward the analysing a character of sound as a compositional element. I like that lessons are not only just about a particular technique (and there are so many to learn from Yannis), but about developing a workflow and a mindset. Examples from historical electronic pieces to listen and analyse from legendary electroacoustic composers are really inspirational. After each lesson there is a home task and in the following lecture there is an analysis of the results and based on that Yannis gives lessons on what needs to be changed, improved, pay attention to etc, in order to develop compositional skills. I highly recommend Yannis as a teacher, if you are into modern experimental electroacoustic composition and improvisation.
Review by TARAS
Piano, Language, harmony arrangements, composition Improvisation, Musical Softwares, Musical production
Eric
Erick is a really nice and professional teacher. Always willing to help and accommodate to last minute changes. We are super happy to have him as a teacher. He makes piano fun!
Review by GABRIELLA
Professional pianist graduated from the Russian Conservatory of Moscow, 15 years of experience teaching classes globally. (Guadalajara)
Gabriela
Very professional. She is great in Spanish or English. My husband and daughter are both happy with their learnings and have continued lessons.
Review by COCO

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