Que vous souhaitiez élever votre jeu de Chopin à un niveau supérieur ou jouer votre morceau préféré au piano, je suis là pour vous aider à atteindre cet objectif. Forte d'une carrière professionnelle en tant que pianiste concertiste et professeur de piano, je suis titulaire de Diplôme supérieur d'enseignement avec mention très bien. En parallèle de ma carrière de pianiste solo professionnel, j'apprécie également la collaboration avec d'autres musiciens. Je suis titulaire de diplôme supérieur de musique de chambre et j’ai obtenu le DEM en accompagnement au piano au CRR d'Aubervilliers où j’ai acquis les compétences pour transpositions, harmonie, réduction d’orchestre et de choeur. Avec ma formation en musicologie (Licence en musicologie), je suis en mesure de donner des cours particuliers en formation musicale, en harmonie et en histoire de la musique. Mon expérience couvre une vaste gamme d'âges et de parcours, allant des élèves de l'école primaire aux professionnels en reconversion, tels que des médecins à la retraite. Alors, qu'attendez-vous ? Réservez dès maintenant votre premier cours, et entamez votre voyage vers l'excellence pianistique. Whether you want to take your Chopin to the next level or play your favorite song on the piano, I can help you achieve your goal. Embarking on a professional journey as both a concert pianist and piano instructor, I successfully obtained the "Diplôme supérieur d'enseignement" competition at the Ecole Normale de Musique de Paris Alfred Cortot with the distinction of "mention très bien." Concurrently with my solo pianist career, I derive pleasure from collaborating with fellow musicians. I obtained the "Diplôme Supérieur de musique de chambre" of école normale de musique de Paris and the DEM of piano accompagnement in CRR d’Aubervilliers where I acquired the skills of transposition, harmony, orchestra and choir reduction. Utilizing my academic background in musicology (Bachelor's degree in musicology), I am skilled at offering private instruction in music theory, harmony, and music history. My extensive experience includes a wide range of students, from elementary school children to retired medical professionals. What are you waiting for? Book your first class now and kick-start your journey to mastering the piano.

Maarten will teach you about general music theory and analysis from beginner to advanced level. He is experienced to teach highest level classical musicians and Jazz musicians too. He can work with you about the harmony and analysis of compositions on practical ways affected to your own performance as well. so not only on the desk, but on the instrument in order to improve your knowledge and performance level. He has many knowledge of all kinds of music analysis and compositions, the lessons can be mix with online and class room.

Music is an exciting field, having dedicated my life to this field for years, I wish to pass on the knowledge I have accumulated to students who are curious to learn and of all levels! I would adapt to your desires and tastes to make tailor-made courses to meet your needs and satisfy you.

Hello, I like to transmit and exchange with my students. Seeing them understand and progressing is essential and very rewarding for me. My lessons are based on an academic method focused on learning music theory and instrumental practice. I bring a specific method adapted to the profiles of my students (age, availability, tastes, motivation, "anti-music theory"). I try to make my students independent, help them develop their listening skills, their sense of rhythm and transmit to them an efficient working method. All styles, all levels: pop, rock, funk, jazz, blues, soul, reggae, latin

[Please note that lessons are only available for serious students looking to be a professional musician or artist] Katherine has been vocally trained in contemporary for 25 years and studied classical voice for three years. After developing Muscular Tension Dysphonia in 2010 and not singing for almost two years, she overcame this vocal disorder after working with some of the best voice and voice rehabilitation specialists in the UK. This experience further motivated her interest in teaching the following to her students in contemporary voice* using knowledge and training gained by renowned vocal coaches, ENTs and voice rehabilitation specialists: - Vocal technique, health and hygiene - Guidance in voice rehabilitation with students experiencing or recovering from vocal issues - Managing Performance Anxiety - Breath control - Microphone technique and stage performance - Basic music theory - Artist development and mentoring Katherine has over 15 years experience in one-to-one lessons, teaching students aged 4 years old to 50 years old of all levels and has developed programs for small choirs. Please be advised students under the age of 9 years old will be offered 30 min lessons only and will comprise of a combination of music and singing-related games and exercises. Also offering: - Live performance workshops *Contemporary music styles like R&B, soul, neosoul, pop, country. She does not teach classical or jazz. **Please note, 30 min lessons are only for students aged 10 and under. Adult students will be required to book one-hour lesson times to ensure they get the most out of their lessons and therefore their money's worth. Requests for 30 min lessons from adults will be declined and asked to book a one hour lesson.

Passionate about teaching, I have devoted a large part of my time to it for 10 years with varied experiences in France and Argentina. Whatever the age of the student, beginner level or confirmed, I offer private lessons of violin and viola. No knowledge or musical notion is necessary beforehand, the theoretical achievements are made as and when the discovery of the instrument.

Hello! I offer courses in composition, Mao and other disciplines (harmony, orchestration, musical theory, etc.) for all levels, and using a method similar to that of the conservatory. Always oriented towards musical practice, together we will refine the strategy that suits you best. What I like most about individual lessons is adapting the lesson to the needs of the student, like the teachers who left their mark on my training.

Former student of the Conservatoire National Supérieur de Musique et de Danse de Paris, editor-in-chief of the magazine Avant-Scène Opéra, editor for the Philharmonie du Luxembourg, I offer you the following lessons. Music theory and musical culture are essential tools for understanding and making music. Music theory, because it allows you to master the technical tools that allow you to make music, is fundamental for anyone who wants to progress in their instrument. Musical culture makes it possible to understand what goes on in music beyond the technique. From this knowledge (established over a lot of listening) we can develop an interpretation and go beyond technical issues. For music theory lessons only, I constantly articulate the different musical parameters (rhythm, intonation, ear, etc.) and draw my training from the repertoire, which has the advantage of making music from the start. Small technical exercises also allow you to focus on one or the other parameter, but the perspective remains mainly that of a global approach placing the music at the center. As far as musical culture is concerned, I use each of my professional experiences (Musicologist, playwright and music critic) to transmit my knowledge to you. Thus we will approach the history of music through works (history of forms and languages), interpretation and places of music. It is mainly through the study of documents (texts of musical criticism, iconography, scores, musical instruments...) that transmission takes place. Knowledge completes and informs this documentary study. Finally the study of document and the erudition have only one goal: to enlighten the listening of the works which I place at the heart of my teaching.

Graduated from the Higher Conservatory of Tashkent (Uzbekistan), first solo violin at the Opera and Ballet Theater, violin teacher with great experience, gives lessons for all levels, all ages. I also offer lessons designed to raise the level of amateur violinists playing in orchestras. On the program: study difficult passages, bowing, fingering, work on accuracy and sound. Individual or group lessons. Would you like to play chamber music and are looking for a violinist? I am at your disposal with pleasure!

Fun and creative violin lessons for all age groups, join me on a musical adventure. I remain open to working on all styles with you and it depends on your musical preferences. If you don't have your own instrument, I am willing to borrow one of my violins for testing. Best regards and see you soon My dear future students of 🎻

Vous souhaitez plonger dans le riche univers de la musique arabe ? Je propose des cours personnalisés de théorie de la musique arabe, d’apprentissage des maqams (modes musicaux) et de techniques spécifiques au violon et clavier. Grâce à une méthode adaptée à votre niveau, je vous accompagnerai dans la découverte des subtilités de cette musique fascinante. Que vous soyez débutant ou musicien confirmé, vous apprendrez à : - Comprendre et maîtriser les maqams arabes, leurs particularités et leurs nuances. - Développer des techniques de jeu spécifiques au violon dans la tradition musicale arabe. - Lire et interpréter des partitions de musique arabe en utilisant le solfège arabe et la dictée musicale. - Enrichir votre répertoire avec des œuvres emblématiques de la musique arabe traditionnelle.

Electronic music, perhaps with its interdisciplinary nature, is a vast field to get into, a world of creativity and art, science and technology, and philosophy and thoughts. The course of electroacoustic composition (in other words computer-assisted composition) follows the interdisciplinary fundamentals of the topic. During these courses, we will speak and work on electronic music aesthetics and musical discourses, form and structure, and indeed the utils of using software such as Ableton, Max, Supercollider, VCV RACK, reaper et cetera, to be able to materialize the musical idea with electronic tools. Students can create and compose electronic music, sound designs, multimedia art (music and ... ), installations and performances, etc during and after the courses.

Playing the trumpet shouldn't be complicated! with a good technique routine and the right way it's not complicated enough either! I like to work a lot on breathing which I consider to be a main element and on technical ease. Works on flexibility, dexterity, and expansion of the range.

I have over 10 years of teaching experience, both privately and in schools, catering to students of all ages, from children to adults. As a friendly and enthusiastic instructor, my goal is to ensure that every student finds joy in creating music and can work towards their personal goals—whether it's for the sheer enjoyment of music-making or to prepare for music exams. I'm also proficient in teaching music theory, which not only enhances musicianship but is also essential for students aspiring to reach higher levels in their musical journey. I hold a Bachelor of Music and a Master's degree from two prestigious London music institutions: the Royal College of Music and the Royal Academy of Music. Since then, I've been actively performing as a soloist and collaborating with various orchestras and ensembles worldwide.

I am a young professional Italian cellist, with 19 years of study and profession, I have lived in Paris for a year and a half. I graduated from the Conservatory of Turin, I specialize in baroque music in Paris and I work with several renowned ensembles of early European music. I also play modern music, with my solo cello and electronic music project, I had the chance to participate in the biggest Italian festivals I offer cello lessons for all levels and all styles (classical cello, baroque cello and modern cello), with the possibility of following the lessons at home, by webcam or at home, in French, Italian and English. The method that I adopted in my studies and that I teach is Suzuki: working on the student, nourishing his environment with stimuli and simultaneously developing his artistic and technical maturity, his morality and his character. I also believe in group work, the possibility of playing with friends or colleagues, so I often suggest creating small ensembles to share and learn good music with others.